Miss X

Sono una legata visceralmente all'immagine.
Mi sento pigra, e più che pensare alle cose preferisco sentirle.

plansofarchitecture:

Johannes Duiker, Open air school, 1930, Amsterdam, Holland
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plansofarchitecture:

Johannes Duiker, Open air school, 1930, Amsterdam, Holland

(via sixtensason)

infiniteinterior:

J.Duiker, A.M. Bijvoet, Open-air school for the healthy child, Amsterdam, 1927-1928.
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infiniteinterior:

J.Duiker, A.M. Bijvoet, Open-air school for the healthy child, Amsterdam, 1927-1928.

(via sixtensason)

momo33me:

Palestinian artists do paintings over the rubble of Al-Basha building that was shelled and leveled by Israeli warplanes during Israel’s 51-day assault against Gaza Strip.

rabbitinmyheadlights:

“#PeoplesClimate i am Sad I cannot make it on the march today:( i am praying the UN sees another future is possible !”
- Thom Yorke on twitter (21 September)
http://twitter.com/thomyorke/status/513618097874690048

21 — Detailed illustrations of pollen

illustrationandresearch:

I would have never guessed what these beautifully illustrated objects represent. They remind me of molecules and atoms or the various forms in which snowflakes appear to us. But instead of adding a beautiful white layer to the world, these little creatures can cause some of us a lot of trouble during the summer. Ueber den Pollen was published in 1837 by St. Petersburg based German pharmacist and chemist Carl Julius Fritzsche. Here you can flip through the whole book.

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(via parametricworld)

Blonde Redhead - Futurism Vs. Passeism Part 2

The New Pornographers - War On The East Coast

RHEINGOLD - Fluss - 1980

Il progettista è colui che conferisce forma al sogno”

"Si alza il vento" di Hayao Miyazaki 

roomonfiredesign:

Brion Cemetary in San Vito d’Altivole near Treviso, Italy is considered Italian architect Carlo Scarpa’s most important and complex work. “I consider this work, if you permit me, to be rather good and one which will get better over time. I have tried to put some poetic imagination into it, though not in order to create poetic architecture but to make a certain kind of architecture that could emanate a sense of formal poetry. The place for the dead is a garden. I wanted to show some ways in which you could approach death in a social and civic way; and further what meaning there was in death, in the ephemerality of life other than these shoe-boxes.” Scarpa died in 1978, in a construction site accident. He is buried in this cemetery in a standing position in a hidden spot within the interstitial space where the walls of the old and new cemeteries meet.

(via rollership)